Que Sera, Sera...

...It is what it is...
aquaticspacepussy:

thelonelyscarecrow:

castiels-time-traveler:

nintendocanada:

mapsontheweb:

Map of the World by Natural Skin Color

i’m really dumbfounded that i never realized skin colour is literally just caused by being closer to or farther from the equator and the resulting sun exposure and skin darkening

actually, its an adaptation. natural selection. people with darker skin are selected for in areas near the equator, where the melanin that causes the darker color protects them from radiation and protects them from skin cancer and other health defects, and because they are healthier they can pass on that trait more. people near the poles have lighter skin because it allows them absorb more of the limited sunlight to convert to vitamin d. 

THIS IS THE THING SOME PEOPLE HATE OTHER PEOPLE OVER.

aquaticspacepussy:

thelonelyscarecrow:

castiels-time-traveler:

nintendocanada:

mapsontheweb:

Map of the World by Natural Skin Color

i’m really dumbfounded that i never realized skin colour is literally just caused by being closer to or farther from the equator and the resulting sun exposure and skin darkening

actually, its an adaptation. natural selection. people with darker skin are selected for in areas near the equator, where the melanin that causes the darker color protects them from radiation and protects them from skin cancer and other health defects, and because they are healthier they can pass on that trait more. people near the poles have lighter skin because it allows them absorb more of the limited sunlight to convert to vitamin d. 

THIS IS THE THING SOME PEOPLE HATE OTHER PEOPLE OVER.

(via blackourstory)

medievalpoc:

Contemporary Art Week!

Kehinde Wiley

Los Angeles native and New York-based visual artist Kehinde Wiley has firmly situated himself within art history’s portrait painting tradition. As a contemporary descendent of a long line of portraitists—including Reynolds, Gainsborough, Titian, Ingres, and others—Wiley engages the signs and visual rhetoric of the heroic, powerful, majestic, and sublime in his representation of urban black and brown men found throughout the world.

By applying the visual vocabulary and conventions of glorification, wealth, prestige, and history to subject matter drawn from the urban fabric, Wiley makes his subjects and their stylistic references juxtaposed inversions of each other, forcing ambiguity and provocative perplexity to pervade his imagery. Wiley’s larger-than-life figures disturb and interrupt tropes of portrait painting, often blurring the boundaries between traditional and contemporary modes of representation and the critical portrayal of masculinity and physicality as it pertains to the view of black and brown young men.

-skny.com

1. Down With a Bullet, 2011., 2. Femme Piquee par un Serpent, 2008, oil on canvas. 3. Matador, 2009. Oil on paper 57.5” x 134.5”., 4. Sleep, 2008. Oil on canvas 132” x 300”.